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Riki Nihongi
Seeing the Invisible
Photography Exhibition
April 29 to May 4, 2025
Noon to 5 pm daily
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This exhibition was curated in collaboration with Beatrice Cordaro, curator and art historian, as part of an ongoing institutional project exploring artist-absent formats and transnational cultural dialogue.

Name: Riki Nihongi
From: Japan (born August 2nd, 1990)
I obtained Certified Administrative Scrivener 2013
I began self-studying film photography (darkroom work) and digital photography in 2019.
I joined member of Photo fusion at London in 2024.


 

Concept and Artistic Process: Seeing the Invisible

Concept: Seeing the Invisible

Seeing the Invisible is a photographic series that explores the essence of observation. The concept is rooted in the idea that we often overlook what is right in front of us, assuming that we are truly 'seeing.' However, in reality, we miss subtle details and aspects that shape our perception of the world. This series invites viewers to reflect on the notion of 'seeing' beyond the surface and to become aware of the unseen layers of everyday life.

Why Photograph Indoors?

The choice to shoot exclusively indoors is intentional. Indoor spaces create a controlled environment where subtle changes in light, shadows, and atmosphere become more apparent. Unlike outdoor photography, which is influenced by external and uncontrollable factors, an indoor setting allows for a more focused exploration of how light interacts with surfaces, objects, and empty spaces. This controlled setting heightens the viewer’s awareness of what is visible and what remains unseen, reinforcing the theme of 'Seeing the Invisible.'

Why Use 8x10 Format and Soft Focus Lens?

The choice of the 8x10 format is intentional to emphasize the clarity and detail inherent in large format photography. This format allows me to capture the subtle nuances of light, texture, and atmosphere in each scene. Additionally, I use a soft focus lens during the printing process. The soft focus effect is not a flaw, but rather an artistic decision to create a sense of timelessness and ambiguity. This approach helps convey the concept of 'seeing the invisible' by blurring the boundary between reality and perception, encouraging viewers to explore beyond what appears sharply defined.

Reason for Single-Edition Prints (Edition 1)

Each print in the Seeing the Invisible series is created as a unique, single-edition piece. This decision is driven by the fact that I use hand printing techniques and a soft focus lens, making it impossible to produce an identical print. The manual process and artistic choices involved in each print ensure that every piece is truly one-of-a-kind, reflecting the ephemeral nature of perception itself. This rarity adds to the value of each print, reinforcing the idea that each moment of 'seeing' is unique and unrepeatable.

Through this artistic process, I aim to challenge the viewer's perception and invite them to see beyond what is immediately visible, exploring the delicate interplay between reality and interpretation.

Contact

3352 Dunbar St. @17th Ave.

Vancouver, BC

V6S 2C1

p 604 559 0576

Gallery Hours

Tuesday to Saturday

Noon to 5 pm

No appointment necessary

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